![]() While DJ Vic Mensa spun records between a floor sculpture by Lynda Benglis and a Marilyn Minter photograph, the crowd watched the dancers’ activation of a swing sculpture by another Chicagoan, artist Brendan Fernandes. Lukov, who cut her teeth by spearheading Faena Arts, not only brought the original show’s stars such as Isabelle Albuquerque and Gabriela Ruiz to Chicago, but local rising stars such as Yvette Mayorga and Moises Salazar joined the show with colorful and texture-rich statements. Wednesday evening, the Peninsula Hotel opened an exhibition of paintings by Africobra artists such as Sherman Beck and Jae Jarrell at its lobby, while the Miami-based curator Zoe Lukov brought her lauded group exhibition “Skin in The Game” to a two-floor office building after the crowd-pleaser show’s talk-of-the-town success in Miami in December. The fair’s forty-gallery Exposure section, which puts emphasis on emerging Latin American galleries, is curated by Humberto Moro, the newly-appointed Deputy Director of Dia Art Foundation. ![]() Switching its traditional September date to the spring has been what the fair’s director of orogramming Kate Sierzputowski explained to Galerie as “changing the collectors’ muscle memory,” in its most internationally diverse year. Et pour cause, 'j’ai été la première femme à intégrer le Rotary de Balma. Vernissage le 3 mars 2022 à 19h Avec des uvres des collections des 3 Frac du Grand Est ainsi que des pièces de la collection de minéraux du Planétarium d’Épinal. The scenography is voluntarily sober, without comments, in order to leave the visitors the pleasure of immersing themselves in the painting.Ĭherry Blossoms is Hirst’s first museum exhibition in France.The Ruinart-soaked vernissage, during which the fair has made its long-missed comeback after a two-year hiatus and strong digital programming, was preceded by an ambitious Wednesday night, reminiscing Art Basel Miami or Frieze New York’s saturated “who’s who” itineraries. Le vernissage de l’exposition a donné lieu à un échange de fanions entre les clubs Rotary de Balma et de Revel. The exhibition presents 30 paintings chosen by the artist among the 107 canvases of the series, all large-format. After devoting three full years to the series, Hirst finished the Cherry Blossoms series in November 2020: “The pandemic has given me a lot more time to live with the paintings, and look at them, and make absolutely certain that everything’s finished.” Hirst rediscovers the exhilarating pleasure to paint and “dive into the paintings and completely blitzing them from one end to the other.” He works on several canvases at the same time, constantly returning to some he keeps close by, months after their completion. Started after an ambitious sculpture project, Treasures from the Wreck of the Unbelievable, that took 10 years to make, the Cherry Blossoms series marks the artist’s return to solitary work in his studio. In the 1980s, painting wasn’t really the way to go.” As a young artist, you react to the context, your situation. ![]() If sculpture-the Natural History series in particular-earned him an important reputation in his early years, painting has always played an essential role in Hirst’s work: “I’ve had a romance with painting all my life, even if I avoided it. Working across sculpture, installation, painting and drawing, Hirst explores themes connected to life and death, excess and fragility. The artist reinterprets, with playful irony, the traditional subject of landscape painting as well as the great artistic movements of the late nineteenth and twentieth centuries, from Impressionism to Action Painting.īorn in Bristol (UK) in 1965, Hirst grew up in Leeds before moving to London in 1984, where he still lives today. Damien Hirst’s latest series, Cherry Blossoms, is a continuation of his career-long investigation into painting.
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